The Boy in the Tunnel

by Gardner Linn

 

4.

 

Joanie lived in Mary Rutherford, directly across the quad from Wintertree. Whereas its brother was a grey box, a blight on the UNWG landscape, Miss R (as the dormitory was informally known) was an architectural treasure, an historical site with a multitude of plaques and velvet-roped rooms. Robert E. Lee once recovered from a case of botulism in Room 126; John F. Kennedy had once “written a speech” in Room 235 (rumor had it he wrote more than a few speeches that night). And right next door in 237, Joanie McKittrick told her roommate about the boy in the tunnel.

         

“He’s not that cute,” she said. “I can’t tell if he’s smart or not. He’s short. He doesn’t talk much.”

         

Joanie’s roommate Kenya, another volleyball player (the entire freshman and sophomore women’s volleyball contingent was clustered on Miss R 2-North), threw a plush bulldog in the air and caught it. “He sounds great,” she said. She unzipped a zipper on the dog’s stomach and pulled a Ziploc bag out of the stuffing.

         

“Well, yeah, that’s the point. I don’t know.” Joanie picked at a flake of pink nailpolish on her big toe. “He was in my Handbook.”

         

“Ah.”

         

“I was in his.”

         

“Uh-huh.” Kenya unrolled the baggie and dumped out a small silver box. She flipped open the hinged lid, revealing a mound of fine black powder. “How many ‘That Boy’s are in your Handbook?”

         

“A lot.”

         

“A lot. So it doesn’t mean anything.” Joanie picked up her Handbook from the table beside her bed and flipped it over—a small mirror had been glued to the back cover. She tapped out a little of the black powder onto the mirror, and drew it into two neat lines with her student ID card.

         

“It means something. Maybe not that we’re destined to be together forever or whatever, but I’ve got to at least figure out what.” Joanie unscrewed the end of a ballpoint pen and pulled out the ink cartridge, leaving a clear plastic tube. She handed the tube to Kenya.

         

“What it means is that this guy thinks you’re The One because he read it in the stupid Handbook, and he’s going to do whatever it takes to convince you that he’s The One for you. So watch out.” Kenya bent over the mirror and snorted a line of the powder with the pen tube. She flung her head back and stared at the ceiling, her left hand shaking uncontrollably.

         

After five seconds she returned to normal. She handed the Handbook and pen tube to Joanie, and Joanie snorted the other line of powder. Joanie shook her head violently back and forth for five seconds, then abruptly stopped.

         

Kenya put the silver box back into the Ziploc bag, then put the bag back into the stuffed bulldog. She wiped her nose and inhaled, trying to capture the few remaining particles.

         

“Life means nothing to the dead.”

 

*************

 

“Let me ask you boys a question. What exactly did you think you were going to accomplish by fighting each other?” Residence Life Coordinator Julian Washington was a big man, too big for the off-white office in which he was interrogating Drew and Dick. He had wanted to remain involved in campus life after college, but he was thinking more along the lines of offensive-line coach than official glorified babysitter of Wintertree Hall.

         

“I felt that Drew was not respecting my right to practice my personal spiritual beliefs in my own personal way,” said Dick, with as much pretend cultural sensitivity as he could muster. Dick’s older brother had been an RA at UNWG, and he knew how this game was played.

         

“What I hear you saying is that you feel that Drew infringed on your personal belief system,” said Julian. “Drew, how does this make you feel?”

         

“He was making a mockery of the death of my Lord.”

         

“I hear and understand what you’re saying, Drew, but I was merely trying to share my culture with you and learn more about our differing heritages.” Dick was stabbing himself in the thigh with a pen to keep from laughing as he spoke.

         

“Do you have a response to that, Drew?” Julian yawned, silently counting exactly how many days were left until Christmas break.

         

“Just because I’m from Florida doesn’t mean my heritage is different. He was making jokes about Christ.”

         

“I just want to understand where you’re coming from.”

         

“You told me you were Baptist.”

         

“And you’re Methodist. Two different worlds.”

         

“No they’re not.”

         

Julian blinked and saw a brief vision of him grabbing the two boys’ heads and smashing them together like ripe melons full of juicy red flesh. “Here’s what I’m going to do, gentlemen. Since this is an isolated incident—it better be—I’m going to throw out your RA’s write-up.”

         

“Very fair, sir.”

         

Julian wanted to plant a boot in the little shit’s skull. “In return, Dick, you are going to accompany Drew to a worship service of his choice, since you are so interested in learning about his beliefs. And Drew, you will accompany Dick to a service of his choice.”

         

“But Dick doesn’t even—“

         

“We’re done here.”

         

Julian sent the grumbling residents out of his office. He took a football from its stand atop a filing cabinet and spun it in his hands. Fifty-three days more.

 

****************

         

Though Milo Kirby was (probably) just an urban legend, there was decidedly more verisimilitude to the Nine Dead Men. At the very least, their sigil was painted, chalked or carved all over campus: a dead smiley face (two “X”es for eyes, a straight line for a mouth) wearing a nine-pointed crown, known colloquially as King Milo the Expired. Page 301 of the Handbook contained a detailed, though by no means comprehensive, list of all the places on campus bearing the sigil, but Tim preferred to seek them out without assistance, or to stumble upon them accidentally. The most famous, of course, was the Founders’ Garden, which, when viewed from, for example, a passing helicopter, formed a giant green-yellow-and-gold King Milo.

         

Tim’s favorite King Milo, however, was the one carved into the wooden divider between the two stalls farthest from the door in the Thorn Hall third-floor men’s restroom. It wasn’t your typical pocketknife-scratched rush job, but a detailed, polished bas-relief that probably took many hours, some sort of chisel and a Dremel Moto-Tool to finish. King Milo’s face had texture and feeling, and the crown was ornately filigreed and either gold-plated or at least painted. Eight smaller King Milos surrounded the larger face, curving out in two arms, the whole thing forming a lumpy “S,” lying on its side. The eight small Milos, though all bearing the same facial characteristics, seemed to display different personalities, though Tim couldn’t figure out exactly how the artist had accomplished this feat. On first viewing, they all appeared identical, but after studying them closer over several days, Tim began to see that one was happy to be dead, one bitter, another scheming a way to return to the living.

         

But what made this sigil special wasn’t the artistry, though it was considerable, but the mural on the wall directly opposite it: a heraldic shield, divided into four quadrants of purple, gold, white and black. And not just divided by lines, but literally split into four and exploded in a trompe l’oeil 3-D view, the four pieces of the shield appearing to burst out of the wall, each one with the apparent mass and thickness of a solid chunk of iron. Photorealistic renderings of Mary Rutherford, Hayes and Sluke Halls were on the purple, gold and white quadrants, but the fourth sector was completely black. An elephant and rhinoceros rampant stood to either side of the exploded shield. Underneath the shield, “LIFE MEANS NOTHING TO THE DEAD” was printed in burgundy script on a parchment scroll.

         

Behind and revealed by the exploded shield was a miniature landscape more convincing than any he had ever seen: a verdant field populated by hundreds of tiny elephants, rhinoceroses, ostriches and big cats of every species. Snowcapped mountains rose in the background, but between the field and the mountains was a city of ultramodern glass towers and Gothic spires. It appeared to be night in the mountains, dusk in the city, but midday in the field; the creatures glowed as if lit from within and from above. In the middle of the field stood a huge grey cube—Wintertree Hall, no doubt—overrun with ivy and flowering vines. Birds of prey nested in the tangle of foliage atop the cube. As Tim looked at the mural sidelong as he sat on the toilet, he imagined he could see the birds circling, preparing to dive for the kill.

         

For nearly a week, Tim had been visiting the third-floor men’s room to sit in the last stall and contemplate the mural and the relief, even on days when he had no classes in Thorn Hall. Sitting between the two opposing sigils, he felt a sense of pulsing energy surrounding him, as if he were sitting between two giant electromagnets. This was the same feeling he captured sometimes on the perfect fall days—the feeling of being in the middle of things, of being caught up in something important. It was the same feeling that had compelled him to back up when he met Joanie in the tunnel. “Potential” was the right word for it. “Possibility” was another.

         

But there was also tension in this feeling, and something underneath that, something dark and thick, like tar, the kind of thing that could pull you in and not let go. The two sigils meant something, of that Tim was sure, and they meant something in relation to each other. It was competition, but it was more than that. The Nine Dead Men, whoever they were—if they were anybody at all—had enemies. Or perhaps they were the enemies themselves.

         

Tim wanted to see Joanie again.

 

© 2005 Gardner Linn