The Boy in the Tunnel
by Gardner Linn
29.
ÒThat
dog has it in for me. I swear. ItÕs like every time I come home, itÕs there,
looking out the window, like glaring at me.Ó
ÒDogs
canÕt glare.Ó
ÒOh,
it glares. And itÕs like muttering under its breath too.Ó
ÒShut
up! The dog is not muttering!Ó
ÒItÕs placing a hex on me, I know it. My neighborÕs from New Orleans, you know
that, right?Ó
ÒItÕs
a voodoo dog?Ó
ÒVoodoo
dog. Giving me the evil eye. It tried to bite me one time.Ó
ÒItÕs
a dog. Of course it tried to bite you.Ó
ÒBut
this was like premeditated. It was malicious.Ó
ÒOf
course it was.Ó
ÒIÕm
just afraid itÕs going to break down the window one day and jump out at me.Ó
ÒBreak
the window?Ó
ÒIÕve
seen it happen. I used to dogsit for a friendÕs pit bull.Ó
ÒAnd what kind of dog is this?Ó
ÒA Pomeranian.Ó
ÒYeah,
I think youÕre safe.Ó
ÒYou
havenÕt seen this dog!Ó
ÒYes
I have. I come over to your place all the time. HeÕs like the size of a
grapefruit!Ó
ÒThen
whyÕd you ask what kind of dog it is?Ó
ÒComic
timing.Ó
Dick was fascinated by the two girls in the seat next to the stairwell. He had
never been able to carry on conversations in such close proximity to strangers—buses,
elevators, waiting rooms, in line at restaurants or the bank, during previews
at movies. A sense of decorum beyond anything required by the standards of
public conduct compelled him to keep his thoughts to himself, even when friends
tried to engage him in conversation. He didnÕt understand how these girls could
just sit there, jabbering about something of no importance to anyone.
Hold
on to the sanctity of yourself. People will tell you Òno man is an island,Ó but
that is the rationalization of people who canÕt bear to be alone with their
thoughts because they have no thoughts of their own—they see themselves
as trees in the proverbial forest, and are worried that if no one hears them
fall, then they never existed. Be thankful cell phones are not yet ubiquitous.
You
will be tempted here at UNWG. There will be opportunities to let yourself
become part of something greater. You will want the waters to recede, to see
the sandbar of yourself become larger and join a larger landmass. You will want
to become a peninsula. You will want to stretch between two larger bodies,
become an isthmus. You will find yourself strained as far as this metaphor.
A
word about romantic entanglements: they have their advantages, to be sure.
There are things to be recommended about them. ItÕs perfectly understandable
that you will find yourself desirous of amorous contact, or even of a Òrelationship.Ó
Or you may find yourself the object of such desires, no matter how far-fetched
that might seem. College is when you select a future, and so many students try
on new futures the way they would try on clothes, and someone may briefly
consider you an element of a possible future.
You
will have to make this decision at least once: do you want to merge your future
with someone elseÕs, even if only for a night? It is a tempting idea. But know
that if you do, then once your futures become disentangled (and they will, have
no doubt), your future will be forever contaminated. The residue of the otherÕs
future is a virus that will spread and grow, if you let it, until your future
is no longer your own. Your future will have been hijacked by ÒWhat if?Ó
For some, this is not an insurmountable problem. They learn to live with it.
The question is: can you? If you are unsure, perhaps itÕs best not to find out.
The
bus took a corner, loudly protesting the weight of so many bodies, so much
flesh and water and air being carried into individual futures branching off
from this one here, in the shuddering black body of the night.
********
Residents
and visitors were supposed to enter Wintertree Hall by its two main doors only,
both of which remained unlocked 24/7. These doors opened onto the lobby, from
which residents could enter the
halls proper by means of two security doors, accessible by swiping a
valid student ID card. But there were other ways to enter Wintertree, some of
them secret (e.g. the tunnels) and some of them not—for example, the
north basement door, which was intended for use as an emergency exit, and for
which only DUH staff and Wintertree RAs had keys. The door, however, was
situated next to the small parking lot that food-delivery drivers and guests used,
and so the door was often propped open by a fourth-floor resident who wanted
his food or guests to come up the four flights to him, instead of vice versa.
And
so Drew and Joanie were not surprised to find a chunk of concrete holding the
north basement door open, allowing them unobserved entry into Wintertree with
their prisoner.
ÒAlways
safety first around here,Ó said Kirkland. ÒIÕll have to bring this oversight to
MarstonÕs attention.Ó
ÒCome
on,Ó said Drew, ÒweÕre going up to Tier Three.Ó
ÒYou
are such a freshmen. DonÕt you know any of the shortcuts?
ÒWhat
shortcuts?Ó
ÒCome
on. The auditoriumÕs this way.Ó
Kirkland
led Drew and Joanie down a short hall to the auditorium, a 90-seater with a
small stage set a foot above the floor.
ÒBackstage,Ó said Kirkland.
Maybe
forty square feet of space behind the black curtain, with two doors on either
side. Kirkland led them to the far door, which opened onto a narrow stairway.
At
the second-floor landing was another door. ÒThe keyÕs above the door,Ó said Kirkland.
Joanie found the key on the doorframe and unlocked the door; behind it was a
dressing room, a makeup counter along a mirror-covered wall, clothes racks and
bewigged mannequin heads scattered about.
ÒWhere
are we going?Ó said Drew.
ÒBehind
that,Ó Kirkland said, pointing to a rack of heavy parkas, costumes from the
Wintertree Drama SocietyÕs musical version of Fargo. ÒMove it away from the wall.Ó
Joanie
slid the rack aside, revealing a blank white wall with a steel grating covering
a square hole about a foot and a half on either side.
ÒYou
got a screwdriver?Ó asked Kirkland. Drew fished his Leatherman out of his
pocket and pried off the grating. ÒI think we can all fit through that, right?Ó
ÒJoanie,
you go first,Ó said Drew. ÒThen this guy.Ó Joanie crouched down and peered into
the hole—the tunnel it provided access to looked tall enough for the two
guys, but sheÕd have to hunch. She squeezed through the hole arms first, to
minimize her broad shoulders, and disappeared from the dressing room.
ÒAll
right,Ó Drew said to Kirkland. ÒNow you.Ó
Kirkland
knelt down to the hole, but as he did, something appeared in the doorway,
blocking the light from the stairwell.
ÒYo!
What hell is goings on, bros?
*********
The
cool thing about the Purple Pages was that they werenÕt arranged like a normal
phone book. None of that alphabetizing that was only useful if you knew who you
were trying to call. No, Julian had discovered, it was like the Purple Pages
were designed specifically for him. ÒThe Girl Who Just Started Working at
Weston Hall, Maybe Her Nametag said ÔDinahÕÓ: campus extension 1479. She had
laughed at JulianÕs weak joke about someone named ÒDinahÓ working in a dining
hall. She was a student, obviously, but she had to be at least nineteen, and
Julian was only 34. That wasnÕt weird or anything.
The
voice on the phone said it would call back with another task, but the phone had
remained silent for at least an hour now. No reason he couldnÕt do a little
telephonic exploration. ÒRemember That Guy Who Tried to Start a Fight with You
in the Bathroom in Fifth Grade? Wonder What HeÕs Doing NowÓ: 701-264-8673. ÒThe
Girl Who Was Hiding in the JFK Room—Her NameÕs Kenya CassidyÓ: campus
extension 2386. ÒWhere She Is Right NowÓ: campus extension 4267.
Julian
took another bite of pepperoni Hot Pocket, then dialed.
**********
ÒChet,
itÕs...this is Kenya. Chet, if youÕre there, pick up...if uh—if youÕre
ChetÕs roommate, please pick up. IÕm trying to find Chet....Anyway, Chet, if
you get this, call me at...hold on...4267. Or just come down to the Student
Activities Office at the Union. SomethingÕs going on, and I just...okay. Call
me when you get this.Ó
Kenya
hung up the phone. Then it rang again, before she could regret what she had
done.
She
checked the LCD caller ID screen; it was blank. The red message light started
blinking purple. Kenya answered the phone.
ÒIs
this Kenya Cassidy?Ó a deep, melodic voice asked.
ÒIs
this ChetÕs roommate?Ó It didnÕt sound like the way she remembered him, but she
had only heard him say ÒHello?Ó a few times, after all.
ÒYes,Ó
the voice said. ÒIs this Kenya?Ó
ÒYeah. Do you know where Chet is?Ó
The
sound of flipping pages. ÒUm, yeah, heÕs at extension 9999.Ó
ÒWhereÕs
that?Ó
ÒI
donÕt know. But I donÕt think youÕre supposed to call him. He, uh...he said he
didnÕt want to be bothered.Ó
ÒHe
didnÕt tell you where he was going?Ó
A
pause. Then:
ÒAre
you ChetÕs girlfriend?Ó
ÒI
guess.Ó
ÒOkay.Ó
ÒWhy?
ÒNo reason. Just...nice to talk to you.Ó
ÒYeah,
same here.Ó
ÒChet
talks about you a lot.Ó
ÒReally?Ó
ÒHe
said he wanted to know why you were in the JFK Room a few weeks ago.Ó
Every
telephone on campus is connected to the University network, which means that
any phone can be reached by simply dialing its four-digit extension from any
other phone on campus. Those of you who arenÕt fuzzy-headed West Campus
denizens will realize that there are therefore ten thousand possible
extensions; currently approximately 8,700 of these are in use. Of those, around
4,500 are residential rooms in the Family Delmonico and the Meadows Tower; the
rest are various administrative and educational offices. Most of these numbers
are listed in your Handbook (see pg. 124), but there are ten that are
considered secret, and are only listed in the Purple Pages, of which only a
handful of copies exist, and none are in the possession of students, so forget
you ever heard about them. Of course, a student with far too much time on his
or her hands could probably figure out the ten secret numbers, though calling
any of the numbers might set in motion security measures to which most students
would not want to be party.
ÒI
donÕt know what youÕre talking about.Ó
ÒI
donÕt either, really. IÕm just telling you what he said.Ó
ÒWell
even if I was, how would he know?Ó
ÒDonÕt
ask me.Ó
ÒOkay.
So thatÕs 9999?Ó
ÒYeah,
but you probably shouldnÕt call him.Ó
ÒOkay.
By the way, whatÕs your name?Ó
The
voice paused. Kenya heard more page-flipping. Chet had mentioned his roommateÕs
name once, but she couldnÕt remember it. It was something short and blunt and
vaguely embarrassing, like ÒChet,Ó but it wasnÕt coming to her.
ÒDick,Ó
the voice said. That was it.
ÒOkay.
Thanks for your help, Dick. If you see Chet, tell him to call me at this
number.Ó
ÒNo
problem.Ó
Kenya
replaced the receiver, and the purple light stopped flashing. Out in the Union
lobby, Everybody members kept filing into the Suttledge Room with their little
white boxes. They looked happy, Kenya thought, because they were still
pretending. Kenya had thought the Living Creatures were about pretending at
first; she thought it was a slightly more sophisticated version of the Òsecret
clubÓ she and her three best friends had formed in third grade, a club that met
in Amanda MastersonÕs treehouse and whose activities consisted mainly of
reading old Cosmos Amanda had
stolen from her big sister and trying to emulate the models therein with
similarly purloined makeup. But though for all she knew DraganÕs warning was
part of some elaborate prank, things seemed real now.
Charlie
was still locked in her office, doing god knows what.
Kenya
uncradled the receiver and hit 9 four times.
© 2006 Gardner Linn