The Boy in the Tunnel

by Gardner Linn

 

22.

 

Joanie didn’t remember telling the guy in the blue sweater about the roof of Thorn Hall, but she must have, because that’s where they were going now. The man smiled constantly but not from joy. He had told her his name but she couldn’t remember that either; though his thick uncalloused fingers were wrapped around her lean upper arm and forced her forward, something about him was unmemorable. If you saw him on the street or the bus or in the laundry room of your dorm, you would forget him as soon as he left your sight. You’d forget whose boyfriend he said he was or what exactly he needed help with there in the laundry room, or how he’d gotten you to tell him about the roof. He could have been a student, a fifth-year senior maybe, though he was probably in his thirties; but he wasn’t old or even mature, the way her father was. He was like every guy on campus, everybody who fit the term “guy,” that deep shapeless lacuna between boy and man, that void where impulses roistered, unchecked, and soured.

         

Her arm hurt where he gripped it. He stood close, the coarse wool of his sweater rubbing against her back; to passersby they might have looked like a couple, strolling arm-in-arm toward the downtown bars. She could have yelled for help but something in his manner let her know that that would only result in more trouble for her and anyone who tried to intervene.

         

Thorn Hall was empty, the first floor hall immeasurably long, antiseptic fluorescent light bouncing from off-white wall to off-white floor to off-white ceiling, no sounds of life to give context to the directionless brightness.

         

The “custodial closet” was directly in front of the central entrance; the guy opened the door, threw the iron gate and shoved Joanie inside, clipping her forehead on the low lintel. He joined her, closed the door and gate, and pulled the lever. The elevator rumbled roofward, the ancient brass needle of the dial shuddering from floor to floor.

         

A dusty, muted ding sounded from a tired bell as the elevator reached its zenith. The guy smiled at Joanie, as if he hadn’t been smiling this whole time. He slid the gate aside and opened the door to the roof. His hand still clamped on her arm, he pushed her out onto the uneven surface of the carved tiles.

         

An impulse struck her and she wobbled, pretending to lose her footing. She slung her upper body forward, jerking his arm with it. She swung her right foot back and up into his knee, but he kept his balance and pulled her back toward him, twisting her arm behind her. She felt his breath, cold and dry and chemical-scented, on her neck. If she was going to do this, she had to commit.

         

She took a step forward, as if to regain her balance, and planted a heel between two tiles where the grout had eroded away. He tried to pull her back toward him, but she was really stuck now, and she leaned precariously, all her weight now on his arm, and though he was strong he wasn’t ready for this, and he let go. She fell, bruising her shoulders on the tiles, and she looked up at him, surprised but still smiling. He reached down to pick her up, and not out of kindness; but then someone behind him was saying

         

“What’s going on?”

         

and the guy turned toward the voice and the voice said

         

“Get the fuck away from her”

         

and then something happened and the guy was down on the tiles, a rivulet of blood on his sweater. A booted foot hit the guy in the ribs and he collapsed, prostrate, on the roof.

         

“Are you all right?” and a hand reached down to Joanie and she took it and pulled herself up, lopsided now with one heel on and one off.

         

“I’m okay,” she said, and she looked down into a fierce broad face punctuated by unnaturally blue eyes. He was blonde, but it wasn’t just his hair; his whole face was blonde, Joanie thought. He kicked the guy in the blue sweater again, eliciting a gurgling groan.

         

“Who is this guy?” he said.

         

“I don’t know,” Joanie said. “He told me his name but I don’t remember it.” Her right side felt limp and useless, hanging three inches lower without the support of the heel. She lifted her left leg, took off the other heel and returned her bare foot to the tile. Her toes gripped the ridged and bumpy surface, and her shoulders aligned themselves, squaring her body toward the guy—no, guy isn’t the right word for this one, but what else could you call him—

         

“Drew,” he said. “I’m Drew.” He shook her hand. “You’re Joanie McKittrick, right?”

 

********************

 

Quartermaster is the lowest rank that means something, which means it means nothing. You’ve known this since you were Abducted, and your experience has only reinforced that knowledge. Barlow doesn’t listen to you, Taft doesn’t listen to you, and whichever one of the Corpi becomes SecEx next year won’t listen to you either.

 

So it was true then. Chet was the Quartermaster, whatever the hell that meant. Chet was the Quartermaster of some secret society, which by the way now seemed to be pretty fucking real, and yet he had never even mentioned anything to Dick, never even hinted. Never involved him.

         

And if Chet had a girlfriend, then he hadn’t bothered to tell Dick about that either. Chet knew about every single girl Dick had been with since they met—both of them—but Chet didn’t think it was necessary to let his best friend know about his new serious relationship. Hell, maybe Dick wasn’t really his best friend. Maybe Chet had a whole other group of friends Dick didn’t know about, friends who spent all day at a coffee shop and had nice hair and interesting, witty things to say. Maybe Chet told them stories about his dimwitted redneck roommate, and they all had formed this collective vision of Dick, overalled and Skoal-cheeked and bucktoothed, and all it took was the mere mention of the word “Dick” to set them off on great sparkling jags of privileged laughter and backslappery.

 

Your girlfriend—is she your girlfriend yet? Have you called her that yet? Have you said it in your mind? Have you thought “I’m going to call my girlfriend?” Have you said it out loud? To someone else? “Sorry I couldn’t hang out last night; I was with my girlfriend.” Have you said it to her?

         

You haven’t said it to her. You haven’t had the talk you’re supposed to have about these things. The “Where are we?” talk. Neither of you has asked “Where are we?” You’ve just let things happen, because you hate the talk. You dread the talk. If you have to ask where you are, then it means you don’t know. And if you don’t know where you are, it’s not going to be long before you find yourself alone again.

         

Have people always had the “Where are we?” talk? You wonder. It seems like such an invention of TV. Just like the whole fear of “I love you” thing. You’ve seen couples in love. You have friends who say “I love you” all the time. You don’t think they’ve ever had to have the “Where are we?” talk. They just knew, and you’re not even saying it was love at first sight; just at a certain point, they both realized they were supposed to be together. You think the talk was invented by advertisers to keep people insecure. Because now your thought process isn’t just “Where are we in this relationship?” It’s “When is she going to want to have the talk about where we are in this relationship?” Instead of just being worried, you’re worried about being worried. And that’s when you most want to buy things.

         

You wonder if Kenya is thinking the same things. You wonder if she’s told her roommate about you, if she said “I want you to meet my boyfriend.” You want, more than anything, for her to take your hand and introduce you to her friends. “This is my boyfriend, Chet.” And then she’ll smile, glittering, at you as you shake the hands of all those obscenely tall women, the smile a warning to them all: he’s mine. All mine.

 

Kenya. Tall women. Dick had a women’s volleyball team promo calendar poster on the wall next to the breakfast nook; he knew who Kenya was. And though he wasn’t happy he had to find all this out from the Handbook, he had to admit: he was pretty impressed with his boy Chet right now.

 

*******************

 

Through the eyeholes of his ceremonial mask, Chet could see that Barlow was agitated. It was three minutes till ten, and Taft still hadn’t shown up. The two freshmen would be here any minute, and if the Sergeant-at-Arms was missing, the Ceremony could not proceed as intended.

         

Looking at Barlow and the other three present Dead Men, Chet couldn’t help but feel this was all a little silly. They were all wearing their ceremonial white three-piece suits and black armbands, clear plastic masks with black electrical tape Xed over the eyes (though the eyeholes were kept clear) and gold plastic crowns. They looked like a gang of drama majors about to rob a bank. Chet remembered, a year ago, entering this room and seeing six guys dressed like this, with the rubbery featureless faces, and being terrified. That feeling had lasted all of about fifteen seconds, because as soon as one of them spoke and you realized it was just some dork who couldn’t get into a real fraternity, it became ridiculous. Still fun—after all, there was drinking involved—but ridiculous.

         

To Chet it seemed that Barlow took the whole Nine Dead Men thing a lot more seriously than it deserved. He really seemed to think the society ruled campus, like all the legends said, but even after being a Dead Man for a year Chet had yet to see actual evidence of this. Chet wondered if Barlow was just crazy, or if this was just one more thing the Quartermaster wasn’t privy to.

         

This “alliance” with Charlie St. James—that had been a surprise. St. James had her own secret society, The Living Creatures, who were the traditional enemies of the Nine Dead Men—“enemies,” of course, in the most childish sense, as far as Chet knew. The only evidence of any rivalry he had noticed were the opposing sigils graffitied around campus. To outside observers, the graffiti probably seemed like only the outward signs of an ongoing, complex war. But Chet knew that the graffiti was the extent of the war; from the inside he could see how insignificant the sigils were, the way a magician’s trick loses its wonder once you learn how it’s done.

         

But Barlow seemed convinced that DUH was up to something, and that the Nine Dead Men had to stop it, with the help of the Living Creatures. When you put it like that, it all just sounded so stupid.

 

 

© 2005 Gardner Linn