The Boy in the Tunnel

by Gardner Linn

 

13.

 

You go to a friend’s party and she’s there, Joanie, and you kind of knew she might be there, but you also kind of thought she would know you’d definitely be there and maybe she wouldn’t want to come because she didn’t want to see you. But she’s there anyway, so maybe she does want to see you (not likely) or she wants to show you that she’s over you (possible) or she just didn’t even know or care that you would be there, and seeing you is kind of like seeing someone she worked with for a few months at some job she can barely remember, and you haven’t occupied iota one of her mental energy since you broke up (we have a winner).

         

You’re nervous all day, going to the bathroom every thirty minutes like you used to before your dates with her. You even take a shower and change clothes after work, like you think something is going to happen. You get to the party and you know Joanie’s not there, because there’s no blonde head towering over everybody else. Your friend Stephen introduces you to a friend from his MFA program, Shannon, and he leaves you to talk, and though she’s not wearing a ring or with anybody you’re pretty sure she’s engaged or at least has a serious live-in boyfriend because you think you remember Stephen mentioning that, plus Shannon says something like “we” have a two-bedroom, so now one of them is a study. You wonder when a woman’s hands became the first things you focus on when starting a conversation; you feel too young for that, still.

         

You talk to Shannon for a while, invisible fiancé notwithstanding, but at some point you become aware of a new presence in the room, a gradual shift of focus upwards:

         

Joanie is here.

         

She hasn’t seen you, or if she has, she hasn’t felt the need to acknowledge your presence, and she’s not even looking at you, because now you’re staring, literally staring, and Shannon has already given up and started talking to another one of Stephen’s friends that you don’t know. Joanie’s talking with Stephen, and they’re both laughing. Joanie’s not even casting furtive glances over at you.

         

It doesn’t look like Joanie’s here with anybody. When she broke up with you she said she was still hung up on an ex-boyfriend, said they were this close to getting engaged actually, and you were a great guy and she really liked hanging out with you but she didn’t want to lead you on, didn’t want to enter into some sort of serious relationship when she still had feelings for this other guy, and she wasn’t really ready to be in a serious relationship with anybody anyway, so maybe we should just be friends. Fine, you said, yeah, let’s be friends, because, okay, yeah, I’m disappointed, but I like hanging out with you too, so yeah, I’ll give you a call, we’ll go see a movie or something okay? okay.

         

That was eight months ago. You haven’t spoken to her since.

         

You were pissed off at her for a while. You thought she was lying—you knew she was lying. I mean, let’s face it, you’re not perfect. Your relationship with her was not perfect. At the time you might have thought it was some kind of storybook romance, but when you look back on it you see all the little things about her that annoyed you—she never called you unprompted, not once, every time she called it was in response to a voicemail from you, and you would have killed for an unsolicited call from her—and all the many things that you did wrong, all the reasons she could choose from to justify dumping your sorry ass. She could have picked any of one of those things instead of this ex-boyfriend bullshit. Like “I’m this six-and-a-half-foot-tall goddess who writes what’s possibly the most beautiful poetry you’ve ever read, whereas you’ve spent the entirety of our relationship growing a beer belly and whining about your shitty job at that shitty firm where the partners are all about to get disbarred, so I’m kicking your ass to the curb.” You would’ve still been mad, sure, but you couldn’t exactly argue with that. Or “You’re okay to talk to, usually, and I don’t mind watching a movie in your presence, but if I have to have sex with you again I’m going to throw up,” which is what “you’re a great guy but I don’t want to lead you on” really means anyway. If she would have just told you how awful you were at being a boyfriend, at just being a man in general, you would have been fine with that.

         

Because saying “you’re a great guy” and “I like hanging out with you” and “I’m not ready for a serious relationship right now” is worse, it’s a thousand times worse, because it gives you hope. It makes you think yeah, maybe we can still hang out, and I’ll win her over again, I mean, she stuck with me all that time for a reason, right? And she’s not ready for a serious relationship? Neither are you! Hell, you’re barely ready for serious shoes. You just want to be with her and see how it goes, because you’re tired of being lonely. You want someone to care about other than yourself.

         

You didn’t tell her any of that. You didn’t fight the breakup. When you’re feeling really sorry for yourself, you hate yourself for not fighting, because maybe that’s what she was looking for. Maybe she was tired of your whole withdrawn unemotional brooding thing and she just wanted to see some enthusiasm, so she floated out this whole tentative breakup thing (did she ever actually say “I want to break up?” You’ll kill yourself trying to remember) hoping you’d take the bait and actually display some goddamn passion for once, but you failed. You just let it happen.

         

And then you hear from Stephen how this ex-boyfriend, some basketball player or something, how he treated her like shit basically for a year, and led her on like she’s so supposedly worried about leading you on, and cheated on her and was just flat-out not discreet about it—and so how are you supposed to take this? This is the guy she dumped you for? She’d rather keep alive the option of getting back together with this guy, who by all accounts is a major-league asshole, than stay with you, who at least likes her? Likes being with her? Would do anything to still be with her—except, apparently, tell her?

         

You’re still staring at Joanie and either she really doesn’t know you’re here or she’s just amazingly good at ignoring you. She’s moving towards the back now, to talk to someone else, and Stephen is wading through the crowd to you.

         

“Did you see Joanie?” he says. Yes, you say. “Is this weird for you?” he says.

         

“Weird” is just too small a word to apply to a situation like this. You haven’t talked to her in eight months, right, and obviously there’s a reason for that, and so you probably don’t really want to talk to her tonight either, and just her being here is doing something odd to your body, because you can’t stop staring at her and your heart is beating too fast and your stomach is hollow—but you wanted to see her, you’ve wanted to see her since she let you go, and you spent all day thinking about seeing her, how you would act, what you would say. The only thing you want more than never to see her again is to be with her forever. “Weird” can’t contain that.

         

“A little,” you say, “but it’s not your fault.”

         

“Should I say something to her? Like ask her if she’s seen you?”

         

“That would be weird.”

         

You’ve thought about how this reunion should happen, if it were to happen. You think maybe you’re actually glad to be rid of her. You miss her at night, when there’s no one in bed beside you. You miss the way your apartment felt empty, but pleasantly so, on Saturday and Sunday mornings after she’d left, and you lounged around drinking orange and cranberry juice mixed together (she liked screwdrivers and Cosmos, and you always had OJ and cranberry juice in the fridge so if she asked for a drink you could make it, but she never asked, and so you went through cartons of the stuff by yourself, and you loved it but you can’t drink it now because the taste reminds you of her). But you know it, you should admit it, you like being by yourself. You’ve done it so long, you’re used to it now. You liked those weekend mornings because she wasn’t there, so you could construct some idealized version of the previous night, and fantasize about how perfect your next encounter would be. But you know that when you were together, it was awkward and you were terrified that she didn’t like you, so you never let yourself show her how much you liked her. You liked the idea of being with her more than the reality.

         

And that’s what you miss, really. You miss being with someone. It doesn’t have to be Joanie. It could be anyone. Your apartment is empty now, but there’s no potential in that emptiness.

         

All day you’ve rehearsed what you would say to Joanie if she were here tonight—something like “I wanted to call you but I didn’t think I could just be friends with you, and by the time I felt like I could, it was just too late”—and even allowed yourself to think maybe she’s been thinking about you too, and you’d both realize you hate being apart and she’d invite you over, etc. You can tell now that’s not going to happen. You can still see her head, floating like a blonde balloon over the people around her, and you can see that if she’s ignoring you, she’s doing it deliberately and with great effort. She doesn’t want to talk to you.

         

The thing is, though, she’s sort of set up camp between you and the bathroom. And you have to go (four beers will do that to you). If you go to the bathroom, she’ll see you and you’ll see her and then you’ll have to say something. But you can’t talk to her in this state—you’re not going to be doing the holding-it-in dance the first time you talk to her in eight months—but there’s this horrible pressure on your bladder, and the more you think about holding it the more you have to go. You have to do it. So you scuttle (scuttle is definitely the right word, because isn’t that what spineless bottom-dwelling sea creatures do?) to the bathroom, keeping your head cocked down and to the left in a very serious “lost in my own world, engaged in deep thought” kind of pose, and thank god there’s not a line for the bathroom, so you get in there and do your thing and kind of steel yourself in the mirror.

         

You wonder where the expression “steel yourself” comes from, and if it used to involve actual steel, like it referred to knights getting armored up before a joust or something, and you think maybe some armor is exactly what you need right about now. All you have is some stupid velvet jacket you bought because some magazine told you it would look cool, but now you see how ridiculous it is, how goddamn ridiculous you look, and no wonder—no fucking wonder—she doesn’t want to talk to you. You look like Hugh Hefner’s retarded nephew. You’re just playing at being a man. You do whatever a magazine tells you to do, all your conversations revolve around things you’ve seen on TV, you can’t build anything or fix anything, you’ve never even really—let’s be honest—been in love, even with Kenya. (Maybe Joanie’s still in touch with her?) You have all the emotional maturity of a Nine Inch Nails album. You think you’re the first person who’s ever run into an ex at a party? Do you think you’re special because of the way you feel right now? Do you think you’re going through anything that a billion other people haven’t gone through before? People do this all the time, but you—you think because she slept with you for a few months, you had some sort of epic operatic romance, and now how can you live, if living is without her? You’re like some traveler in the desert who finally found a few drops of water but doesn’t even realize that just over the dune people are literally drowning in it.

         

There’s nothing you can do in the bathroom to steel yourself. You don’t even know how to steel yourself. You just wash your hands and open the door and just at that moment she looks toward the bathroom and she sees you, and she can’t pretend that she doesn’t see you because you see her, and you can’t pretend that you don’t see her because, frankly, you’re staring again. She waves, and it’s just heartbreaking. You wave back and force your way through the crowd to her. She’s sitting on a futon in the corner of the room. You lean on a bookcase for support. You fidget with the buttons on your ridiculous jacket, because your hands are freaking out and don’t know what to do around her. Her mouth is a toothy rictus of forced amicability, and you feel your face assuming the same expression; you don’t want it to, but you are no longer in control.

 

You’ve been practicing this for eight months. You have so much you want to say.

 

“Hey,” you say.

 

“Hey.”

 

“Good to see you.”

 

“Yeah.”

 

“How have you been?”

 

“Good. School, you know. You? Everything the same?”

 

“Exactly the same.”

 

“You’re still working at that—“

 

“Yeah. I just know the feds are gonna come busting in any day now.”

 

“Hey, it’s work.”

 

“Yeah.”
         

That’s it. That’s all either one of you has to say. In twenty seconds everything you’ve dreamed about for eight months has just disappeared, vaporized. Why even bother saying what you wanted to say? It’s only going to make things worse. If you or she wanted to have that conversation, you would have had it seven months and three weeks ago. You don’t really want to get back together with her, do you? You’re starting to realize what you’re sure she already knows: you lasted exactly as long as you should have. Possibly longer.

 

Her eyes are dropping, scanning, but that same horrible smile is plastered on her face. You have to get out of this. You have to get away.

 

“Well it was good to see you.”

 

“You too.”

 

You point vaguely toward the door, toward nobody. “He’s waiting for me to have a cigarette.”

 

“You started smoking?”

 

“No, yeah. He’s waiting.” You’re already moving away. “Bye.”

 

“Bye.”

 

You turn your back to her and head for the kitchen. You need a drink, something. You wish you were a knight and did have a big steel sword, so you could stab yourself. That went all wrong. You should have said what you wanted to say. There’s still a chance. There’s always a chance. You look back at her. She’s already talking with someone else, and she’s smiling, and her smile is real now. She doesn’t want you. She never did.

 

You find a beer in the fridge and swallow half of it. Stephen finds you and starts talking, but you can’t hear anything he says. You’re staring again. If you could only make her see. Maybe she still has Kenya’s number.

 

This is never going to end.

 

© 2005 Gardner Linn