Wednesday, February 23, 2005

EVERYTHING IDOL | Round 2, Heat 8

The Southern contingent lifts A/C over chocolate-chip cookies and Lawrence of Arabia. The contenders moving on to Round 3 so far:

Art
His Dark Materials by Philip Pullman
Water
Johnny Cash, 1994-2003
The Big Lebowski
Books
Air conditioning

The next three contestants (I think this one is a bit unfair, but blame the duck and the hat, not me):



1. Buffy the Vampire Slayer | Pros: Made an initially goofy horror premise into riveting drama. Made Joss Whedon a household name, at least in the cool households. Made geek idols out of Xander and Willow. Cons: Not necessary for survival on this planet.



2. The Daily Show with Jon Stewart | Pros: The only mainstream news source, fake or otherwise, willing to report the news with relevant context and an actual moral compass. Also pants-wettingly funny. Cons: Not necessary for survival on this planet.



3. Food | Pros: Necessary for survival on this planet. Also tasty. Cons: Not funny, unless thrown. No Willow.

Polls close Monday, February 28 at midnight.
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Wednesday, February 16, 2005

BEST SONGS OF ALL TIME UPDATE

With eleven precincts reporting, here's how the Top 25 stands:

1. "Born to Run" by Bruce Springsteen
2. “A Quick One While He’s Away” by The Who
3. “Thirteen” by Big Star
4. "Atlantic City" by Bruce Springsteen
5. "Love Will Tear Us Apart" by Joy Division
6. "Can't Hardly Wait" by The Replacements
7. "Train in Vain" by The Clash
8. "God Only Knows" by The Beach Boys
9. "Lost Highway" by Hank Williams
10. "Under Pressure" by Queen with David Bowie
11. “Attitude” by The Misfits
12. "Baba O'Riley" by The Who
13. "Outdoor Miner" by Wire
14. "Hey Ya!" by Outkast
15. “Needle in the Camel’s Eye” by Brian Eno
16. "Los Angeles" by Frank Black
17. “History Lesson, Part 2” by The Minutemen
18. (tie) "I'm Looking Through You" by The Beatles
“Hope” by The Descendents
20. “Ignition (Remix)” by R. Kelly
21. "Age of Consent" by New Order
22. "There Is a Light That Never Goes Out" by The Smiths
23. (tie) "Copperhead Road" by Steve Earle
“Wall of Death” by Richard & Linda Thompson
25. (tie) "Down There by the Train" by Johnny Cash
“Debaser” by Pixies

There's still time for you stragglers to send in your lists (your favorite songs, ranked, at least 25, no more than 100), and believe me, your votes can still have a major impact on the results. Hassiotis, I'm calling you out specifically.
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Tuesday, February 15, 2005

EVERYTHING IDOL | Round 2, Heat 7

Books beat Google to move on to Round 3. The Round 3 contenders so far:

Art
His Dark Materials by Philip Pullman
Water
Johnny Cash, 1994-2003
The Big Lebowski
Books

The next three contestants, please:



1. Chocolate-chip cookies | Pros: Very tasty. Induce a jolly fat man in a red suit to leave you presents. Give milk a reason for existing. Cons: Their joys are fleeting, but their consequences last a while.



2. Air conditioning | Pros: Render many beautiful yet brutally hot places inhabitable. Entering an air-conditioned room after being outside in summer is one of the greatest joys imaginable. Cons: Contributed to destroying such venerable Southern traditions as porchsitting. Not available in my apartment.



3. Lawrence of Arabia, directed by David Lean | Pros: Contains more beautiful shots and classic lines than two dozen other movies. Features one of the all-time great scores. If you see it in 70mm, it's like it's actually happening right in front of you. Should be required viewing for anyone, particularly governmental figures, contemplating adventuring in the Middle East. Cons: I can think of none, except that it makes most other movies seem drab and flat in comparison.

Polls close Monday, February 21 at midnight.
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Monday, February 14, 2005

THE O.C. REPORT

Last week, Heidi MacDonald at comics blog The Beat asked for viewer reports on The O.C., which has recently featured a subplot about Seth, Summer and Zack pitching their own comic book to Wildstorm. My report lost out to a review by actual professional comics writer Brian Wood, but in the interests of preserving my brilliance for posterity, I present mine below (warning: much comic-book nerdery ahead):

I'm pretty sure last night's week's episode of The O.C. was titled "Lipstick Lesbians and a Visit to Wildstorm: How to Appeal Directly to the Part of Gardner's Brain That's Still 15 Years Old." Because, dude, it totally worked. The big lesbian kiss was actually a bit anticlimactic, as anyone who's ever seen a TV show knew it was coming as soon as Marissa got drunk and sobered up at Alex's apartment, but still nice for a couple of reasons. With Sandy on the outs with his wife Kirsten (now that Sandy's first love Rebecca Bloom, played by The Monster That Ate Kim Delaney, has returned from out of the blue and inexplicably stayed around, despite nobody caring about this plot), Alex and Marissa are officially the show's cutest couple. And since Marissa has spent most of her time the past few weeks making furtive, longing glances at Alex, she's had less time to drink and attempt suicide and mope about Ryan and generally be annoying, which is for the best, though I wouldn't be surprised if her bi-curiosity ends up backfiring and driving her right back into Ryan's arms. Which do you think would be more likely to drive Caleb to another heart attack: "Inland Street Thug" Ryan continuing a relationship with his real daughter Lindsay, or starting another relationship with his stepdaughter Marissa? Or Marissa bringing Alex home for dinner?

If anybody wants a diagram of the relationships, I can whip one up. It'll probably look something like Alan Moore's infamous Big Numbers outline, but it might help all the same.

Oh, that's right, you wanted to know about the comics. So Seth, his ex-girlfriend Summer and her current boyfriend Zack all head down to San Diego to meet with a "Larry Bernstein" at Wildstorm, who's apparently the uncle of an intern at Zack's dad's company or something. Let's hit the comics-related highlights with a checklist:

Giant Wildstorm logos: 1
Jim Lee appearances: 0
Appearances by any other Wildstorm artists: 0
Did the Wildstorm offices look like the new set of Alias: Yes they did
Were those the real Wildstorm offices: I'm not sure
Life-size standees of Mr. Majestic busting through a wall: 1
Life-size standees of Caitlin Fairchild: 1
Life-size standees of Summer as "Little Miss Vixen," illustrated by Eric Wight: 1
How jealous am I that these high-school kids could afford a life-size standee of one of their characters for their pitch to Wildstorm: So very jealous
When Seth was banished to the adjoining hotel room so Summer and Zack could be alone, did he take the standee with him: No
Did I think he was going to: Yes
Best word to describe Atomic County, Seth, Summer and Zack's comic: Meta
How meta is it: So very meta
Seriously: Seth stays up all night, unable to sleep because he's afraid that Zack and Summer are having sex, so the next morning he has a spectacular caffeine-fueled meltdown in front of "Larry Bernstein" as he describes the love story at the core of Atomic County, i.e. the unrequited love of "The Ironist" for "Little Miss Vixen" and how they could fight even more evil if only they'd stop their witty banter and admit their all-consuming love for one another
Was Zack amused: No he was not
Was "Larry Bernstein" impressed: Not very, no
Did Seth have to take the bus home from San Diego while Zack and Summer spent Valentine's Day at the hotel together: Yes he did
Is this the end of the Atomic County plot: Time will tell
Lessons the aspiring comic-book creator could learn from this episode: A) Make sure you can sustain a good working relationship with your creative partners; B) More specifically, don't go into business with your ex-girlfriend and her current boyfriend (or your ex-boyfriend and your current boyfriend, or your girlfriend and her ex-boyfriend); C) Have a decent hook (like "It's The O.C. with superpowers!"); D) It always helps if your dad's intern's uncle works at a comics company; E) It also helps if you can draw like Eric Wight. Dude is good.

So, poor Seth, but he brought this all on himself, which is nice for us, if not him. I don't want to be too presumptuous about the writers' personal lives, but I can't help but think that Seth is the character most of them identify with, and he is frequently presented as a geek wish-fulfillment engine: the Spider-Man that they wished they could become when they were teenage Peter Parkers. He's a skinny comics geek, yes, and he gets picked on by the water-polo players (at least back when there were water-polo players on the show), but he's also witty, relatively charming and good-looking, and he was in a serious relationship with Summer, the school's Popular Girl. And let's not forget Anna, his first-season fling, who really was like every geek's dream of the perfect woman: gorgeous, aggressive and into comics as much as Seth was. She was such a wish come true that it was almost a joke. So, of course, it's nice from a dramatic standpoint that Seth screwed up his relationship with Anna, just as he screwed up (and continues to screw up) his relationship with Summer. Like Spider-Man, Seth is at his best when everyone's against him.
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EVERY DAY'S THE FOURTEENTH

Happy Valentine's Day, everybody. For some holiday music, check out Rusty Spell's Online Mix Tape. Includes remixed Julee Cruise, Jeff Mangum doing Phil Spector, and, of course, the appropriate Outkast song.

My own feelings on the subject are summed up pretty well by these two songs:

MP3: "I'm Not in Love" by Talking Heads (live version from The Name of This Band Is Talking Heads)

MP3: "I'm Always in Love" by Wilco (from Summerteeth; I tried to find a live version or alternate take or something, but forces conspired against me)

(MP3 disclaimer: These two are only up for today, because it's Valentine's Day. If you are David Byrne or Jeff Tweedy or their representatives and would like me to take these down before tomorrow, say the word. Everybody else, buy the albums.)
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Friday, February 11, 2005

BEST SONGS OF ALL TIME UPDATE

Team Brown and Mezmerization Eclipse have weighed in with their choices (as have a few others in their comments sections). With eight precincts reporting, here's how the Top Ten is shaping up, according to my arcane ranking formula:


1. "A Quick One While He’s Away" by The Who
2. "Born to Run" by Bruce Springsteen
3. "Thirteen" by Big Star
4. "Can't Hardly Wait" by The Replacements
5. "God Only Knows" by The Beach Boys
6. "Under Pressure" by David Bowie & Queen
7. "Baba O'Riley" by The Who
8. "Outdoor Miner" by Wire
9. (tie)“Needle in the Camel's Eye” by Brian Eno
"Atlantic City" by Bruce Springsteen

If you haven't weighed in, don't be shy. And if you do it on your blog, let me know.
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Tuesday, February 08, 2005

EVERYTHING IDOL | Round 2, Heat 6

The Big Lebowski destroys Macbeth to move on to Round 3. The Round 3 contenders so far:

Art
His Dark Materials by Philip Pullman
Water
Johnny Cash, 1994-2003
The Big Lebowski

The next three contestants, please:



1. Google.com | Pros: Helps you find anything you could ever want. Made possible Gmail, the most perfect email system ever. Cons: Will soon rule the world and own your soul.



2. Seinfeld | Pros: You know, funny. Made TV safe for comedies about complete social degenerates. Made Larry David lots of money. Turned off millions of fans with a brilliantly evil series finale. Cons: Inspired legions of unfunny imitators. Later seasons progressively weaker.



3. Books | Pros: The most elegant, efficient way to store written information. Made Western civilization possible. Cons: So very heavy, especially when you have to move to a new apartment. Quite flammable.
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Monday, February 07, 2005

IKEA Online Assistants do not have a star-sign

Anna the Ikea Bot is the greatest time-wasting invention ever (lower left-hand corner of the linked page). Go, play and watch hours of your day melt away. (Via Lindsayism.)
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Saturday, February 05, 2005

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Friday, February 04, 2005

BEST SONGS OF ALL TIME

My personal top 50 (this week, at least):

1. "Born to Run" by Bruce Springsteen
2. "Like a Rolling Stone" by Bob Dylan
3. "God Only Knows" by The Beach Boys
4. "Sweet Jane" by The Velvet Underground
5. "Hey Ya!" by Outkast
6. "Baba O'Riley" by The Who
7. "Disco 2000" by Pulp
8. "I Wanna Be Adored" by The Stone Roses
9. "Into My Arms" by Nick Cave and the Bad Seeds
10. "Country Feedback" by R.E.M.
11. "Love Will Tear Us Apart" by Joy Division
12. "Under Pressure" by David Bowie & Queen
13. "Folsom Prison Blues" by Johnny Cash
14. "Kiss" by Prince
15. "Last Goodbye" by Jeff Buckley
16. "Fairytale of New York" by The Pogues with Kirsty MacColl
17. "Atlantic City" by Bruce Springsteen
18. "Cult of Personality" by Living Colour
19. "Uh-Oh, Love Comes to Town" by Talking Heads
20. "Cinnamon Girl" by Neil Young and Crazy Horse
21. "Smells Like Teen Spirit" by Nirvana
22. "Just What I Needed" by The Cars
23. "Cars" by Gary Numan
24. "Jesus: The Missing Years" by John Prine
25. "Los Angeles" by Frank Black
26. "Wise Up" by Aimee Mann
27. "Unfinished Sympathy" by Massive Attack
28. "Gigantic" by Pixies
29. "Rearviewmirror" by Pearl Jam
30. "Tower of Song" by Leonard Cohen
31. "Exit Music (For a Film)" by Radiohead
32. "Bad Sneakers" by Steely Dan
33. "There Is a Light That Never Goes Out" by The Smiths
34. "Today" by The Smashing Pumpkins
35. "One Man Guy" by Rufus Wainwright
36. "Svefn-g-englar" by Sigur Ros
37. "The Card Cheat" by The Clash
38. "Two-Headed Boy" by Neutral Milk Hotel
39. "House of the Rising Sun" by The Animals
40. "The Best Ever Death Metal Band in Denton" by The Mountain Goats
41. "She Talks to Angels" by The Black Crowes
42. "Float On" by Modest Mouse
43. "Down There by the Train" by Johnny Cash
44. "Downtown Train" by Tom Waits
45. "Misty Mountain Hop" by Led Zeppelin
46. "Expectations" by Belle & Sebastian
47. "Where Did You Sleep Last Night?" by Nirvana
48. "Hellhound on My Trail" by Robert Johnson
49. "Hound Dog" by Elvis Presley
50. "Any Way You Want It" by Journey

Your turn.
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I ARE A PROPER BLOGGER NOW...

...because I done seen the Arcade Fire and M.I.A. live and in person. Do I finally get my membership card? The Arcade Fire was two weeks ago, so that's old news (the verdict: amazingly good live, though they have the most annoying fans ever), but M.I.A. at the Knitting Factory Hollywood last night is still fresh enough to perhaps warrant some of my patented insightful commentary.

And that comment is this: audiences in LA suck. It was really weird to be mashed into the capacity crowd in the Knitting Factory's main room (aka the Seventh Level of Hell, Now with Extra Fire and Hotness), watching a DJ do his best to get everybody moving while they just stood there with expressions on their faces like "Who is this person and what are these vinyl discs he's manipulating? I demand to be entertained!" I didn't want to be like the Arcade Fire's #1 Superfan at the Troubadour who kept shouting in my ear "DANCE, PEOPLE!" all night, but seriously, come on. At least people got moving when M.I.A. took the stage, but there were still a bunch of people standing there like "I came to witness a spectacle, not be part of it." So frustrating.

Made doubly frustrating because M.I.A. and Diplo put on a hell of a show. I believe this was her first time in LA, and there was a funny moment at first when M.I.A.'s hypewoman took the stage to introduce her, and at least half the crowd mistook her for M.I.A. herself. I know I did. But then M.I.A. came out and we all felt foolish, because it was immediately obvious that she was The Star and A Star. Gorgeous, first of all, which doesn't have anything to do with the music but doesn't hurt, and second of all, cool in a way that American female pop and rock stars have to work far too hard to achieve. She doesn't have to prove how tough she is (like most female MCs), she isn't insane (hi, Courtney), and she's not constantly trying to provoke and entertain us into submission (Britney, et al). She's just up on stage, chanting out her lyrics and doing this loping, arm-waving dance, enjoying herself enough that we have no choice but to enjoy it too. Even her mid-set costume change, from a blue sparkly pajama-esque suit into a bedazzled tiger t-shirt, seemed more motivated by a desire to wear a bedazzled tiger t-shirt than any sort of obligation to keep us amused by new clothes. On record, her music has an alien, almost confrontational quality, her voice a disembodied wail floating over Thunderdome beats, but live that voice is backed by a personality that invites you to become part of the world of that song. "Galang" has always made sense, physically, but when you see M.I.A. sing it, you finally start to understand it.
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Thursday, February 03, 2005

BEST SONGS OF ALL TIME

As an adjunct to Everything Idol and this post, and a shameless ripoff of this, I am asking for your picks for the Best Songs of All Time. Reply in the comments or in an email to me (busoramaATgmailDOTcom). The guidelines:

1. Give me a list of what you consider to be the best songs ever. No fewer than 25, no more than 100.

2. The songs MUST be ranked, from 1 to whatever.

3. Provide comments, if you like.

I'll tally them all up, and then we'll have a definitive list of the Best Songs of All Time. I might even toss the winner into the Straw Hat of Doom for Everything Idol. My personal list will be posted shortly.
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Wednesday, February 02, 2005

DAY OF 1,000 SURVEYS PART 2

From BeaucoupKevin.

1. Total amount of music files on your computer

38 or 39 gigs. Over 10,000 songs, nearly my entire music collection. I need an iPod so bad I can taste it. Mmm, delicious plastic.

2. The last CD you bought

Hmm...I got the Pixies' Complete B-Sides for Christmas. The last CD I bought before that was...maybe M.I.A.'s Piracy Funds Terrorism?

3. What is the song you last listened to before reading this message?

"Romantic Rights" by Death from Above 1979.

4. Write down 5 songs you often listen to or that mean a lot to you.

"Into My Arms" by Nick Cave and The Bad Seeds
"Country Feedback" by R.E.M.
"Sweet Jane" by The Velvet Underground
"Disco 2000" by Pulp
"I Wanna Be Adored" by The Stone Roses

5. Who are you going to pass this stick to? (3 persons) and why?

You! You! And you! The comments section is below, folks.
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THE MOVIE SURVEY

Taken from Hillary's place.

1. The last movie you went to see in a theater

In Good Company. It's okay, nothing special--it's actually a really sharp examination of mid-twenties directionless ambition, until the way-too-pat ending, but it's mainly notable for Topher Grace proving that he'll easily be able to have a film career after That 70's Show, and for Dennis Quaid proving that he is the new Harrison Ford circa 1989-1993. I might have liked it more if I wasn't sitting in front of a dozen kids who must have been around 17 but acted like mentally underdeveloped three-year-olds through the whole movie. You know, turning off their cell phone ringers but still having conversations on them, launching into long soliloquies about how pretty Scarlett Johansson is, etc. At one point in the movie, Topher buys a Porsche and then immediately crashes it. One of the guys behind me laughed, as he should. His girlfriend then spent the next five minutes haranguing him, to wit: "You wouldn't laugh if that happened to you!"

2. The last movie you watched at home:

Infernal Affairs, a Hong Kong actioner starring Andy Lau (also in House of Flying Daggers and another Hong Kong favorite of mine, Fulltime Killer) and Tony Leung (Hero). Leung plays a cop who's deep undercover in the Triads, and Lau plays a gangster who's deep undercover in the police. They're both tasked with discovering the other, and mayhem ensues, though not as much as you might think. It actually has kind of a meditative pace, particularly during the bittersweet ending. At times it feels more like a really great pitch for a movie than a great movie, which is why I'm kind of excited that Scorsese is remaking it with Leonardo DiCaprio and Matt Damon, because he'll be able to wring all the tension out of this premise that this film doesn't quite achieve. Also interesting to note that the DVD box features a hot girl with a gun, which appears nowhere in the actual movie (unless there's a deleted scene of Leung's psychiatrist going on a killing spree).
UPDATED: Jack Nicholson is going to play the part of the crime boss, which I thought for sure was going to go to the increasingly lazy Robert DeNiro. Nicholson sounds much more interesting.

3. How many movies do you own?

Lots. "Enough to necessitate alphabetization," as Hillary says.

3a. What was the last movie you bought?

The Lord of the Rings: The Return of the King (Platinum Series Special Extended Edition). Obvs.

4. What are the next three movies in your NetFlix queue (or similar service)?

Disc 2 of Season 2 of The Wire (not really a movie, but excellent), along with Dodgeball and The Day after Tomorrow (I've actually managed to arrange my Netflix scheduling this week so that I have the cheesey popcorn movies available to watch on the weekend).

5. List five movies you adore/mean a lot to you

Besides the Star Wars and Lord of the Rings trilogies?

Clash of the Titans - The first movie I ever loved. I believe my dad actually bribed me into watching it with a Masters of the Universe toy because I was scared of the Kraken. Then I saw it and dressed up as Perseus for Halloween, and I owned a Kraken action figure, but I stupidly traded it to my friend Adam for something of much less value. In seventh grade, we watched Clash of the Titans during Mythology Week. Mrs. Moss was supposed to fast-forward through the nudity, but when that part came onscreen, Hayden got up to ask her a question, and we got to see all the nudity. I was never sure if he did it on purpose or not, but either way we were all thankful. I saw it last year for the first time in years, and all I have to say is that my memories are much better than the actual movie, though Bubo is still awesome.

Halloween 4: The Return of Michael Myers - The second horror movie I ever saw (the first was Child's Play, viewed earlier at the same sleepover party). I haven't seen it since, so I'm sure it's just awful, but the final image of the demonic little girl at the top of the stairs was and remains the scariest thing I've ever seen.

Natural Born Killers and Pulp Fiction - Both from my formative tenth-grade year of 1994-95, these are the movies that first made me want to be a filmmaker and exposed me to the limitless potential of the medium--NBK with its images, and Pulp Fiction with its words. One has held up better than the others over the years, but I still love both.

Fargo - I was familiar with the Coen Brothers before I saw this--I had definitely seen at least Raising Arizona--but this was when I became aware of (and obsessed with) their aesthetic. I no longer want to be a Coen brother, like I used to, but they were my first filmmaking role models whose work I attempted to study as a whole, rather than as a scrapyard for parts (Tarantino's dialogue, Stone's images and editing).

Rushmore - Probably my favorite movie ever. I've seen it so many times that I can't even talk about it anymore. A perfect film.

6. Name your guilty pleasure movie (or genre)

I don't feel guilty about this, but judging from the reactions of certain people when I tell them it's a great movie, or when they see it on my DVD shelf, sometimes I think I should: Bring It On. I do, however, feel slightly guilty about watching thirty minutes of the direct-to-video sequel, Bring It On Again, before turning it off in disgust.

7. Name 3 people to whom you're going to pass these questions on, and why

You! You! And you!
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Tuesday, February 01, 2005

EVERYTHING IDOL | Round 2, Heat 5

Johnny Cash (1994-2003) pulls out a stunning upset over chocolate to move on to Round 3. The Round 3 contenders so far:

Art
His Dark Materials by Philip Pullman
Water
Johnny Cash, 1994-2003

The next three contestants, please:



1. Ping-Pong | Pros: A game of physical skill in which quick hands and wits count more than quick feet, leveling the playing field somewhat for the larger gentleman. Different varieties of paddles and balls provide endless fun for the player who likes to accumulate gear as much as he likes to play the game. Cons: Oh my god, why does my brother always have to win? It doesn't matter how much I practice!



2. Macbeth by William Shakespeare | Pros: Possibly the Bard's tightest, most efficiently constructed play; Robert McKee would approve. Lady Macbeth provides the template for ambitious, treacherous female characters to this day. A few brilliant soliloquies, one of which gave Faulkner a great title. Great fun to watch, what with all the decapitations and ghosts and whatnot. Cons: Hamlet gets all the glory.



3. The Big Lebowski, directed by Joel Coen | Pros: Endlessly quotable and grows in estimation with every viewing. The Coen Brothers' funniest movie, and that's saying a lot. Gets even funnier once you've lived in LA a while. Despite nearly constant ha-has, still finds room for Donny's truly heartbreaking death. Cons: Some viewers are turned off by its meandering, haphazard plot. Those people have no taste and should be shot on principle.

Polls close Monday, February 7 at midnight.
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