Monday, February 27, 2006

FORCED INTO A CONFRONTATION WITH HIS LIMITATIONS AS A SCREENWRITER

While the rest of the comics world is in New York, getting turned away from their own convention, Grant Morrison appeared in Los Angeles last night to give a talk as part of the ArthurBall in Echo Park. He's just as entertaining in person as you'd imagine from reading his interviews. A few random tidbits:

  • He opened his talk by reading a surrealistic short story that, as far as I could tell (Morrison's Scottish accent takes some getting used to, plus he was practically shouting into the microphone), was about Lee Harvey Oswald traveling back in time to tell a crowd at a poetry reading about why he was going to shoot Kennedy (something about a bullet impregnating Kennedy and growing to riflehood or something) . It was exactly the kind of thing you'd expect to read in, say, Shade the Changing Man in 1991, what with the Kennedy/Oswald stuff, plus guest appearances by Baudelaire and Buzz Aldrin. But it was chock-full of quotable lines, which I would be quoting if I could remember any (see the title, above, for one), some good jokes, and one instance where Morrison took everybody by surprise by screaming something about angels of the apocalypse. Good times. And the setup was ultra-dramatic--just him with a small spotlight on a C-stand illuminating his manuscript (from which he ripped the pages and threw them to the ground as he finished reading each one) and casting his shadow on the blank white wall behind him.
  • Q&A followed. He talked about his "alien encounter" (which he qualifies as being more of a perception shift than an actual encounter, though he did say it was "more real than this," by which I guess he meant his current waking life and not specifically the Jensen's Recreation Center in Echo Park) and the time he met Superman in San Diego, both of which are old news to anyone who's read a few interviews with him, but no less interesting to hear about in person. He also talked about how The Invisibles was a hypersigil, and how his life and the fictional life of King Mob started to blur as he was writing it. This is important a few bullet points later.
  • Morrison said his next big project for Vertigo is called Supertrendy Young Doctor, inspired by someone asking him, as he rushed in a cab toward his dying father in a hospital, whether he was a doctor, and his subsequent thought that it must be really cool to be a doctor, always rushing off in taxis to perform brain surgery. He said it wouldn't be a long series. No word on an artist, or whether he joking.
  • He's "channeling" Batman for his upcoming run on the title, running up some huge hill behind his house every morning in single-digit-degree weather to get in the proper mood. His Batman "likes to fuck girls, has a dark sense of humor, and looks down on everybody else."
  • Yes, someone asked if Flex Mentallo is ever going to be collected. No, Morrison doesn't know. Yes, someone asked how to break into comics. No, it wasn't me.
  • A young woman asked if he believed in faeries (I'm guessing, but you just know she spells it with an "e"), and his answer was basically that if you take enough drugs out in a marsh, you'll probably see something more-or-less fairylike, so sure, he believes. Though, he said, "I don't believe they're out there spinning cobweb dresses for me."
  • According to Morrison, the next big trend in pop culture is "goth psychedelia." Order your corset and get in on the ground floor now.
  • I asked if, since he's met Superman, and since he's already a character in the DC Universe thanks to Animal Man, if he had considered doing an Invisibles-style hypersigil series about himself in the DC Universe, to try to imprint that reality onto our own, particularly considering his own statements that the DC Universe has achieved sentience. Though I didn't ask it quite like that--I just made some stupid joke about "Superman's Pal Grant Morrison," and he said he'd thought about it but not in such an obvious way, and then joked that he's actually the "Unknown Superman," which I guess is coming up in All-Star Superman, so spoiler, maybe?
  • Anyway, if you take his "channeling Batman" statement seriously, then maybe his Batman run will be a sort of hypersigil, and the line between Morrison and Bruce Wayne will start to blur. He's still in his late-period King Mob/James Bond mode (shaved head, dark suit, flashy tie), and it wouldn't be too far of a stretch for that to become Bruce Wayne, especially considering his girlfriend was all decked out in punk-Catwoman leather.
  • I kind of jokingly considered that maybe he was Lex Luthor, but he squashed that idea. But if you consider that he remade himself physically to resemble King Mob, then it's not too much of a stretch to think that Professor X in his New X-Men run was also an authorial stand-in (note that many of the changes Morrison wrought upon X-Men were also wrought upon the X-Men by Professor X). And now he's writing another series with another bald supergenius? You've gotta consider the possiblity, at least.
  • It's always weird for me to meet someone I really admire, like Morrison, because I hate being a fan. For one thing, the audience at the talk was pretty much half-fanboy, half-people-who'd-heard-about-the-alien-thing, and I was trying not to fit into either camp, though clearly I'm the former. But most importantly, I find it very difficult to talk to someone when there's such a disparity (at least as I perceive it) between our levels of credibility. I've read lots of Morrison's work; I've read many interviews with him; I recognized him when he walked into the room. He, on the other hand, thinks that I'm somebody who wants to read a comic book about him hanging out with Superman. In a situtation like this, I am nothing more than a fan, and there's no way a thirty-second conversation after the Q&A is going to change that. I don't know if this is just a personal neurosis or what, but for me to really be able to talk to someone like that, I have to feel that I'm at least near, if not at, his level.
  • Anyway, it was an enjoyable evening, and if Grant Morrison ever comes to your town for a reading, I heartily recommend you go.
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Friday, February 24, 2006

SPIDER-MAN VS. RICK JAMES

A "Photos Gardner Had on His Desktop" Production



Click to make bigger.
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Thursday, February 16, 2006

108 MINUTES LATER



Discuss.

And check out Z6 on this page. Via The VHive's TV forum.
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Wednesday, February 15, 2006

NON-COMICS NERDITRY/PUBLIC SERVICE

Confusion ahoy: Be aware that if you rent Battlestar Galactica Season 1 from Netflix, assuming that Disc 1 contains the 2003 miniseries that kicked off the new BG series (which, you'll note by reading the Amazon listing, it does), you will be wrong. What Netflix actually sends you as "Disc 1" is in fact Disc 2, which contains the first episodes of Season 1 proper. You'll have to rent the miniseries separately. Let's just hope that Cinefile has it--the USPS/Netflix connection around here has been going way too slow to return this through the mail.

Sorry for the lack of posting (or at least non-nerd posting) around here lately. Writing energy has been tied up in ANT POWERS!!!! for the past few weeks. Though that should be done shortly, at least for a while.
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Monday, February 13, 2006

MORE NERDITRY/PUBLIC SERVICE (slightly revised)

Now that Team Brown is reading comics, I thought I'd distill my recommendations into two simple lists:

BEST SUPERHERO COMICS OF THE PAST FIVE OR SIX YEARS OR SO

1. The Authority by Warren Ellis & Bryan Hitch (Wildstorm)*
2. New X-Men by Grant Morrison, et al. (Marvel)
3. The Ultimates by Mark Millar & Bryan Hitch (Marvel)**
4. Planetary by Warren Ellis & John Cassaday (Wildstorm)**
5. Top Ten by Alan Moore, Gene Ha & Zander Cannon (ABC)
6. X-Force/X-Statix by Peter Milligan & Mike Allred (Marvel)
7. Alias by Brian Michael Bendis & Michael Gaydos (Marvel)
8. Promethea by Alan Moore & J.H. Williams III (ABC)
9. Sleeper by Ed Brubaker & Sean Phillips (Wildstorm)
10. Powers by Brian Michael Bendis & Michael Avon Oeming (Image/Marvel Icon)**

BEST SUPERHERO COMICS CURRENTLY BEING PUBLISHED***

1. The Seven Soldiers saga (Bulleteer, Mr. Miracle, Frankenstein) by Grant Morrison, et al. (DC)
2. Nextwave by Warren Ellis & Stuart Immonen (Marvel)
3. All-Star Superman by Grant Morrison & Frank Quitely (DC)
4. All-Star Batman and Robin, the Boy Wonder by Frank Miller & Jim Lee (DC)
5. Runaways by Brian K. Vaughan & Adrian Alphona (Marvel)
6. SuperF*ckers by James Kochalka (Top Shelf)
7. The Punisher by Garth Ennis & Co. (Marvel)****
8. Hard Time Season Two by Steve Gerber, Mary Skrenes & Brian Hurtt (DC)****
9. Ex Machina by Brian K. Vaughan & Tony Harris (Wildstorm)
10. Young Avengers by Allan Heinberg & Jim Cheung (Marvel)

And a few good current miniseries:
Infinite Crisis by Geoff Johns & Phil Jiminez (DC)*****
Ultimate Extinction by Warren Ellis & Brandon Peterson (Marvel)
Ultimate Wolverine vs. Hulk by Damon Lindelof & Leinil Francis Yu (Marvel)
X-Statix Presents: Dead Girl by Peter Milligan, Nick Dragotta & Mike Allred (Marvel)

*The twelves issues of The Authority by Ellis & Hitch represent the high-water mark of recent superhero comics, but I'm also fond of the work by their successors, Mark Millar & Frank Quitely, particularly their first four issues (after that, Quitely starts having deadline problems, and then he jumps ship altogether to work on New X-Men, which results in The Authority losing quite a bit of steam). If you just want to read the Ellis/Hitch run and the first (and best) Millar/Quitely story, I recommend these two books.

**Still being published in periodical pamphlet format.

***In addition to the continuing series already listed above.

****Stretching the definition of "superhero" just a tad.

*****For hardcore super-nerds only.
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Friday, February 03, 2006

BRACE YOURSELVES FOR NERDITRY

Team Brown asked for good superhero comics recommendations; I thought I'd share them with you. If you're already a comics nerd, you will find nothing new or interesting here. I'm focusing on Marvel instead of DC, because that's what they asked for.

1. If you just want to experience a wide range of early-to-mid-period Marvel comics cheaply, the Essentials are probably your best bet. Personally, I find a lot of the Stan Lee-and-co. stuff very tedious, though that's not an opinion shared by many; I started on comics in the early 90s, so my own nostalgic bent is for that particular brand of crap. The main benefit of the Essentials is that they're insanely cheap; the two big drawbacks are that they're in black-and-white and printed on paper that's so not-white it's almost brown. The Onion's AV Club has a good rundown of the best Essentials.

2. A lot of those same early Marvels are also reprinted, in color, and in much higher quality, in Marvel's Masterworks series. These are also insanely expensive. Do an Amazon search for "Marvel Masterworks" to get an idea.

2.5. Marvel has also published a huge hardcover volume called Fantastic Four Omnibus that reprints the first 30 issues of Fantastic Four from the 1960s. It's $63 at Amazon, but that's a much better per-issue deal than the Masterworks.

2.75. In April, Marvel is publishing a similar volume called Uncanny X-Men Omnibus that reprints the first big chunk of Chris Claremont's run on the title, which began in 1975. This is pretty much where the modern X-Men began, and a lot of people cherish this stuff. What I've read, I've found to be nearly unreadable. So it goes.

3. Now for personal recommendations. Most of the stuff I really like is of a more recent vintage, and doesn't bear much resemblance to the style of Lee and Kirby. I also tend to gravitate more towards specific writers/artists than to favorite characters. But I think any of the following will be good places to start.

Daredevil Visionaries: Frank Miller
Vol. 1
Vol. 2
Vol. 3

These three books reprint all of Frank Miller's (whom you'll know from Sin City) original run on Daredevil in the late 70s and early 80s. Miller took a third-rate Spider-Man and turned him into Marvel's most complex and fascinating character while introducing influences ranging from Will Eisner's Spirit to kung-fu movies. In Vol. 1, Miller is just the artist, so though it's of historical interest you could safely skip it. He takes over writing duties in Vol. 2, and that's where it really gets good.

In 1987, Miller returned to Daredevil (along with artist David Mazzuchelli) for a brief run, collected as Daredevil: Born Again. This was probably the high point of Miller's Daredevil work, and generally considered one of the greatest superhero stories ever.

If you like that, you'll probably like Brian Michael Bendis and Alex Maleev's take on Daredevil, which began in 2001 and is just finishing its monthly run as we speak. Their run is reprinted in the following books:

Daredevil Vol. 2
Daredevil Vol. 3
Daredevil Vol. 4
Daredevil Vol. 5 (not yet published)*

A mob underboss learns Daredevil's true identity, which sets off a four-year chain of events that takes the title character to surprisingly dark places. Low on action, high on atmosphere and moral quandaries. You'll either love or hate Maleev's scratchy, third-generation-Xerox art, and Bendis's rapid-fire, stuttery, Sorkin-esque dialogue ranges from sublimely hyperreal to annoyingly ticcy--thankfully it's usually the former.

Bendis, who got his start writing indie crime comics, has become Marvel's golden boy in the last few years, but his untouchable status among readers has cooled a bit after some lackluster superhero work. But when he's at his best (as on Daredevil), he produces some of the best superhero books on the stands. His other big long-running Marvel series is Ultimate Spider-Man, which is currently nearing issue #100. This series retells the story of Spider-Man as if it began in 2000 instead of 1963. If you liked the Spider-Man movies, this is the comic that comes closest to that tone. The whole run is collected in paperbacks and oversized hardcovers; start with Ultimate Spider-Man Vol. 1, but be warned that first half of the book (the origin story) is probably the weakest of the entire series so far. It gets better as it goes along.

My favorite superhero writer is Grant Morrison, and he is responsible for my favorite Marvel comic: New X-Men, which was published from 2001-2004 and is collected in three hardcover volumes:
Vol. 1
Vol. 2
Vol. 3**
In this series, Morrison took all the classic X-Men ideas and remixed them into something new and startling. The art in the first volume ranges from the beautifully detailed work of Frank Quitely to the sloppy rush job of Igor Kordey (to be fair, Kordey is usually a great artist, but he was brought in get the book back on track after Quitely missed his deadlines, and so Kordey was forced to produce pages at an inhuman rate), but in volumes 2 and 3 a rotating cast of artists (including Quitely, Phil Jimenez and Chris Bachalo) trade off storylines to greater effect. I wrote a long appreciation of New X-Men here, but it contains many spoilers, so beware.

If you'd like to get a taste of Morrison before diving into New X-Men, try one of these two books, both of which are great fun and stand completely on their own:
Marvel Boy
Entitled alien jerk in bicycle shorts comes to Earth, fights a living corporation, makes out with a girl in fetish wear.
Fantastic Four: 1234
Reed Richards proves he's still smarter than Dr. Doom.

And, for Team Brown at least, this might be the best recommendation:

Astonishing X-Men Vol. 1: Gifted
Astonishing X-Men Vol. 2: Dangerous
Both volumes also collected into one hardcover, to be published in April.

Astonishing X-Men picks up right where Morrison's New X-Men left off, and though it doesn't contain the same thrills as Morrison's work, it's solid, 100% fun superhero comics with absolutely gorgeous art by John Cassaday. The big selling point, though? Written by Joss Whedon. That should probably tell you whether or not you're interested. The books listed above collect Astonishing X-Men #1-12; issue #13 should be in comic shops this month.

I could go on like this for a while, but I'll stop here before you're overwhelmed. Hope this helps.

*The Bendis/Maleev run has also been collected in paperback form, but the hardcovers are generally a better deal. Also, don't be confused by the numbering: Daredevil Vol. 1 was written by filmmaker Kevin Smith, and isn't really worth your time.
**Also in paperback as New X-Men Vols. 1-7, as two of the hardcovers appear to be out of print.
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Thursday, February 02, 2006

THIS TOOK FAR LONGER TO PUT TOGETHER THAN IT SHOULD HAVE

It's been almost a year since the GLFC CD Club went under for the second time, which was largely my fault--I actually did make a "rock opera" CD as Meeta requested (and even wrote a story for it), but I never got around to copying the discs and mailing them out. My bad. But if you just can't get enough of my special brand of mix-CD-ery, maybe this will soothe your aching soul (while my rudimentary DJ skills offend your aching ears):

GLFC Mixtape 2/06 (40 meg MP3)

Tracklist:
Tribulations - LCD Soundsystem
Destroy Everything You Touch - Ladytron
Tribulations (Tiga remix) - LCD Soundsystem
Just Like We (Breakdown) (DFA remix) - Hot Chip
Melo Do Tabaco - Bonde Do Role
Blue Orchid - The White Stripes
a snippet of a "Got It Twisted"/"Ghostbusters" mashup by DJ Ayres from The Rub's It's the Motherfucking Remix
My Doorbell - The White Stripes
I Want You Back - Jackson Five
Gold Digger (Diplo remix) - Kanye West
URAQT (a capella) - M.I.A.
URADBASR - me
Untitled - Neutral Milk Hotel
All Falls Down (a capella) - Kanye West
Lazy Sunday - Nick & Amelia
Stay Fly - Three 6 Mafia feat. Young Buck, Eightball & MJG
Venis - Rah Bras
Ms. Jackson (a capella) - Outkast
Silent Shout - The Knife
It's for You - Out Hud
Take Me With U - Prince

No real theme here, beyond "stuff Gardner would play at a party" or "Gardner amateurishly screws around with mixing software." Maybe next month I'll post the rock opera (spoiler: imagine Frank Black and Stephen Malkmus as former college roommates fighting over Beyonce).
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