SPEAKER | Pop Quiz

Good. You know your music. You should be able to
work at Championship Vinyl with Rob, Dick and
Barry
Do You Know Your Music (Sorry MTV Generation I Doubt You Can Handle This One) brought to you by Quizilla
So according to
this music quiz I'm some sort of rock 'n roll savant. Well, we all already knew that, but frankly this quiz is so easy that the
High Fidelity guys would probably mock its creator mercilessly in the unlikely event that reality merged with their fictional world, thereby allowing them to meet.
But for those of you eager to test your knowledge of rock history and thereby gloat over your less-informed friends,
this quiz is much more comprehensive and difficult. It doesn't provide the answers, but I think I can confidently answer 25-30 of its 50 questions without resorting to research materials. Not exactly Championship Vinyl material, but still respectable. Let's look at a few of the questions:
3. One of producer Sam Phillips' earliest successes at Sun Records was a No. 1 R&B hit recorded by Jackie Brenston with the Delta Cats in March 1951. Brenston was a sax player in Ike Turner's Band. The song was named after a big American car. Name that tune.
That would be "Rocket 88," named after the Oldsmobile Rocket Hydra-Matic "88" and regarded by some--mainly Phillips himself--as the first real rock 'n roll song. In
Unsung Heroes of Rock 'n' Roll, Nick Tosches writes a brief, fascinating chapter on Brenston and his one claim to fame. Here's how Tosches describes "Rocket 88," which he marks as "an embarking from the rock-'n'-roll of the 1940s towards a brave new world of pegged pants, filtered cigarettes, and Medalo Bops":
The overcharged amplification of Willie Kizart's electric guitar, the careening glissandi and manic triplets issuing from Ike Turner's piano...Raymond Hill's post-melodic saxophone shriekings, Willie Sims's trash-can drumming, and the raw heartfelt degeneracy of Jackie Brenston's singing, shouting, and yelping--the whole of these parts was a sound so loudly and luridly shocking, so preposterous in its celebration of booze, broads, and repossessed cars, that it was difficult to perceive where its brilliance ended and its lunacy began.
"Rocket 88" was as high as Brenston ever got. He was just a stepping stone on Ike Turner's rise to stardom and on rock 'n roll's path to cultural dominance. "They did not know, these people, what can happen to a man when his dreams of riding in style are repossessed; they did not know," writes Tosches. "He took a drink, he took another. The warm days ended, the cold days came. He awoke in a room at the Kennedy V.A. Hospital in Memphis. The Army, at least, had been good for something. He died there, on December 15, 1979. Just a ride there and a walk back. That fame shit sure drove a hard bargain."
"Rocket 88" by Jackie Brenston and His Delta Cats
The one album you find when you search for "Jackie Brenston" on Amazon
39. Minneapolis post-punk band Hüsker Dü changed the course of rock 'n' roll with such seminal mid-'80s albums as "Zen Arcade" and "New Day Rising." The band's tumultuous inner life - which included an intense rivalry between drummer/singer Grant Hart and guitar god Bob Mould, drug and alcohol addiction and the suicide of manager David Savoy - led to a messy and much-lamented breakup in 1988. Name Hüsker Dü's last recorded hurrah.
Their last album was 1987's double-album monstrosity
Warehouse: Songs and Stories, but their final tour is documented on
The Living End, released in 1994. Thanks to the thin sound on their original albums,
The Living End is probably the best example of just how ferocious the Dü were--the album's main lesson is that intra-band strife makes you
really fuckin' awesome on stage--and how influential they continue to be (Kim Deal famously joined the Pixies after Black Francis put out an ad looking for a bassist "into Hüsker Dü and Peter, Paul and Mary"). Songwriting and singing duties were split pretty much evenly between drummer Grant Hart and guitarist Bob Mould (fun fact: Mould wrote "Dog on Fire,"
The Daily Show's theme song); here, from
The Living End, is one of handlebar-mustachioed bassist Greg Norton's few contributions, a raging, churning portrait of desperate infatuation that he more growls than sings.
"Everytime" by Hüsker Dü
Also:
where they got their name.
47. What do English avant-rockers Radiohead and Southern literary genius William Faulkner have in common?
This one stumped me for a bit, until I realized the obvious: they're both from towns named Oxford, one in England and one in Mississippi. I have been to neither.
"I Have Not Been to Oxford Town" by David Bowie
From Bowie's 1995 futuro-art-detective-noir concept album,
Outside.
Outside is largely a failed experiment, full of not-fully-realized characters with names like "Algeria Touchshriek," a vague plot about a conceptual-art murder, and lots of boring semi-musical interludes. There are, however, a few good songs buried in the mix, including today's selection, which grooves along on a bouncy nerd-disco bassline and a compulsively singalongable chorus.
Outside also marked Bowie's flirtation with Nine Inch Nails-style industrial dance--cf. "The Heart's Filthy Lesson," which was used in the end credits of
Seven, and whose
Samuel Bayer-directed video first made me think that Bowie should play the Joker in a film version of
The Dark Knight Returns.
Also:
Get better, David.
"William Faulkner in Hollywood" by Tom Russell
Probably one of the best songs ever written about how Hollywood can destroy people who aren't prepared for its realities; almost certainly the best song ever written about Faulkner. From
Road to Bayamon; there'll be more about Russell here in the future, maybe.
Tom Russell's website
(MP3 disclaimer: All MP3s offered on this site are for evaluation purposes only--i.e. download them, listen to them, decide whether you would like to purchase the music from a friendly retailer, and then delete them. All MP3s will be available for one week after they are posted. If you are an artist or represent an artist or label whose music appears here, and you would like your music removed, just let me know.)